The Concept of Musical Pilgrimage In The Context of Ritualization and Acculturation: Example of Notalı Rotalar

dc.authoridTekbasan, Ekrem Erdem/0009-0005-7003-0568
dc.contributor.authorTekbasan, Ekrem Erdem
dc.date.accessioned2025-03-23T19:27:09Z
dc.date.available2025-03-23T19:27:09Z
dc.date.issued2024
dc.departmentSinop Üniversitesi
dc.description.abstractThroughout history, travel has consistently been driven by various motivations, each yielding significant discoveries through the development of cross-cultural contacts, encounters, and experiences. Among these motivations, one notable impetus for travel is the pursuit of musical experiences. Delving into the musical dimension of travel is crucial for comprehending contemporary phenomena such as music festivals, music museums, live music venues-now emblematic features of urban landscapes-and concert halls hosting diverse global music genres. These musical journeys are categorized under various labels, including cultural tourism, leisure tourism, and music tourism. During these excursions, certain destinations acquire a sacred significance, evolving into sites of ritualistic pilgrimage while simultaneously serving as arenas for cultural consumption. This process of ritualization and acculturation is commonly referred to as musical pilgrimage within the domain of musicology studies. This paper investigates the Notalt Rotalar music -centered tour packages offered by the company Fest Travel through a multidisciplinary conceptual framework. Music -motivated travel is elucidated through the lenses of ritualization, acculturation, and musical pilgrimage. In conclusion, the significance of tourism practices within the realm of musicology is underscored, highlighting the pivotal role that such endeavors play in shaping our understanding of musical cultures and experiences.
dc.identifier.doi10.22559/folklor.2684
dc.identifier.endpage446
dc.identifier.issn1300-7491
dc.identifier.issn2791-6057
dc.identifier.issue2
dc.identifier.scopus2-s2.0-85192713649
dc.identifier.scopusqualityQ4
dc.identifier.startpage427
dc.identifier.trdizinid1234614
dc.identifier.urihttps://doi.org/10.22559/folklor.2684
dc.identifier.urihttps://search.trdizin.gov.tr/tr/yayin/detay/1234614
dc.identifier.urihttps://hdl.handle.net/11486/4851
dc.identifier.volume30
dc.identifier.wosWOS:001240616500009
dc.identifier.wosqualityN/A
dc.indekslendigikaynakWeb of Science
dc.indekslendigikaynakScopus
dc.indekslendigikaynakTR-Dizin
dc.institutionauthorTekbasan, Ekrem Erdem
dc.language.isoen
dc.publisherRector Ciu Cyprus Int Univ
dc.relation.ispartofFolklor/Edebiyat-Folklore/Literature
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/openAccess
dc.snmzKA_WOS_20250323
dc.subjectritualization
dc.subjectacculturation
dc.subjectmusical pilgrimage
dc.subjecttourism
dc.titleThe Concept of Musical Pilgrimage In The Context of Ritualization and Acculturation: Example of Notalı Rotalar
dc.typeArticle

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