Creative Solitude in Hayati Baki and Octavio Paz

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dc.contributor.authorYesilyurt, Turkan
dc.date.accessioned2026-04-25T14:20:24Z
dc.date.available2026-04-25T14:20:24Z
dc.date.issued2025
dc.departmentSinop Üniversitesi
dc.description.abstractIn this article, Hayati Baki's home: symphony of loneliness and Octavio Paz's Dust Cloud of Words are analyzed and compared in the context of creative loneliness. The common denominator of Baki's and Paz's poems is home and loneliness. The common theme of Octavio Paz's Dust Cloud of Words and Hayati Baki's home: symphony of loneliness is loneliness. They transform their loneliness into a force to create their poems. Therefore, the loneliness of both poets is creative loneliness. Home is where loneliness is experienced. According to Theodor Reik, the unconscious meaning of home is womb. In other words, the house signifies woman. However, Otto Rank states that over time the symbol of the house transforms from the protective woman to the creative ego. The form of Hayati Baki's poem is symmetrical, while Octavio Paz's poem is mobile. The place is the house in both poems. This house is the place where poetry emerges. However, the poet in Baki and the poem in Paz come to the fore. While in Paz the window is closed to the outside, in Baki it is open. The open one is inviting. While loneliness is intuited in Paz's poetry, in Baki's it is underlined and made explicit. Both poets have an inner loneliness. While Paz expresses the process of poetry formation in the context of solitude, Baki draws attention to the necessity and importance of solitude for writing poetry. While women play no role in loneliness in Paz's poetry, they play an important role in Baki's poetry. There are commonalities as well as differences in the poems: The common words of the poems are house, window, wind and dust. In both poems, there is no one in the house except the poet. The house represents the creative ego. The loneliness that surrounds the house offers both Baki and Paz the possibility of dreaming and leads them to poetry.
dc.identifier.doi10.22559/folklor.4907
dc.identifier.endpage782
dc.identifier.issn1300-7491
dc.identifier.issn2791-6057
dc.identifier.issue3
dc.identifier.scopus2-s2.0-105013171828
dc.identifier.scopusqualityQ3
dc.identifier.startpage771
dc.identifier.urihttps://doi.org/10.22559/folklor.4907
dc.identifier.urihttps://hdl.handle.net/11486/8543
dc.identifier.volume31
dc.identifier.wosWOS:001644080000009
dc.identifier.wosqualityN/A
dc.indekslendigikaynakWeb of Science
dc.indekslendigikaynakScopus
dc.institutionauthorYesilyurt, Turkan
dc.language.isotr
dc.publisherRector Ciu Cyprus Int Univ
dc.relation.ispartofFolklor/Edebiyat-Folklore/Literature
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/openAccess
dc.snmzKA_WOS_20260420
dc.subjecthome
dc.subjectHayati Baki
dc.subjectOctavio Paz
dc.subjectcreative ego
dc.subjectcreative solitude
dc.titleCreative Solitude in Hayati Baki and Octavio Paz
dc.typeArticle

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