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    A Verse Commentary on Qasida al-Lamiyya of Muayyad al-Jandi by Abd al-Majid Sivasi
    (Istanbul Univ, 2025) Akdag, Ahmet
    Muayyad Jandi was a student of Sadr al-Din al-Qunawi, one of the representatives of Sufi thought in Anatolia. Jandi's Qasida al-Lamiyya, considered one of the important texts of Islamic literature, consists of 171 verses and deals with the themes of religion, morality, and Sufism. The first commentary on this qasida was written by Jandi himself. Jandi commented on his qasida in Persian so that his colleagues in Persia could benefit from it. The only Turkish commentary identified so far is by `Abd al-Majid Sivasi, known by the pen name & Scedil;eyhi. Abd al-Majid Sivasi's commentary is in verse form and is found within the manuscript collection Garrett 418Y, numbered 78b-106b, at Princeton University Library. Sivasi's commentary, written in the mef & amacr;ilun fe'il & amacr;tun mef & amacr;'ilun fe'ilun meter, consists of 781 verses. Of these, 772 are translations and commentaries of Jandi's 171-verse qasida. Nine are translations and commentaries of the Arabic verse added to the end of Jandi's qasida by Sivasi. `Abd al-Majid Sivasi's Sharh Qasida al-Lamiyya, completed on May 9, 1636, is a mystical commentary adhering closely to the content of the source text. This work contains advice for Sufi travelers on the path of spiritual journey (sayr u sul & umacr;k). There has not been any research conducted on this work to date. This study first provides brief information about Muayyad Jandi, the author of the qasida and `Abd al-Majid Sivasi, the commentator of the qasida. Then, the copy of the manuscript was introduced and the work evaluated in terms of aruz prosody. Finally, it is focused on the commentary method of the work and its content.
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    A WORK ATTRIBUTED TO ABDULLAH BOSNEVI: RUSTEM PASHA-ZADE HUSEYIN'S COMMENTARY ON QASIDA AL-MUNFARIJA
    (Burhan Caglar, 2025) Akdag, Ahmet
    Rustem Pasha-zade Huseyin was a scholar and poet who lived from the second half of the 16th century to the first quarter of the 17th century. Having received a good education, he served in various madrasas of his time and gained renown both for his commentaries and poetry. One of his most significant works is a commentary on Ibnu'n-Nahvi's famous Qasicla aLMunfarija. Numerous manuscript copies of this commentary exist in manuscript libraries, and it has been published as a master's thesis. One of these manuscripts housed in the Suleymaniye Library (Ayasofya 2077/6) contains Qasicla al-Munfarija bound together with works by Abdullah Bosnevi. Hence, in the secondary literature the commentary on Qasicla al-Munfarija has been mistakenly attributed to Abdullah Bosnevi. This paper seeks to correct this misattribution
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    A Work Prepared as a Practical Handbook on Medicine: Chief Physician Emir Çelebi’s Netijet al-Tibb
    (Yunus KAPLAN, 2024) Akdag, Ahmet
    In addition to his knowledge in the fields of mathematics and philosophy, as a result of his education, experience and success in the science of medicine, Emir Çelebi, who served as chief physician first in the Qalavun Hospital in Cairo and then in the Ottoman Empire for about 16 years, has demonstrated his experience and knowledge in the science of medicine with his works. There are available two works on medicine, Enmuzaj al-Tibb and Netijet al-Tibb. Enmuzaj al-Tibb was written in 1034/1625 and Netijet al-Tibb in 1036/1627. Netijet al-Tibb, which includes 129 diseases in total, is a more practical version of the author’s previous work Enmuzaj al-Tibb. This work, which consists of a preamble, a main part consisting of 9 columns drawn with a ruler, and a poem dated by Cevri Ibrahim Çelebi to the writing or the printing of the work, is a practical handbook for physicians. It is focused in the first column of the work, the names and descriptions of the diseases, in the second, the natural characteristics that point to their causes, in the third, the way the patient’s pulse beats, in the fourth, the colour of his urine, in the fifth, which foods should be eaten during the illness, in the sixth, the medicines to be used, in the seventh, whether it is necessary to take blood, in the eighth, what the patient should avoid, and in the ninth, information about the oils to be applied to the patient. This study, which deals with Emîr Çelebi’s Netijet al-Tibb, basically consists of 3 parts. It is given information about Emîr Çelebi’s life and works in the first chapter. In the second chapter, information is given about the writing date, content and copies of Netijat al-Tibb. In the third part, the transcribed text of the work is given based on the oldest dated copy.
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    Belâgat Kitaplarinda Cinâs-i Nâkis Çesitlerinin Isimlendirilmesi Konusundaki Tutarsizliklar
    (Divan Edebiyati Vakfi, 2023) Akdag, Ahmet
    Belâgatin bedî kisminin muhassinât-i lafziyye olarak adlandirilan lafizla ilgili sanatlarindan cinâs, tâm ve tâm olmayan cinâs olmak üzere temelde iki kisma ayrilir. Bunlardan tâm olmayan cinâs, cinâsi olusturan kelimeler arasinda harflerin türü/cinsi, sayisi, hareke ve sükûnu (heyeti) ve siralanisi gibi hususlar açisindan meydana gelen farkliliklara göre çesitlere ayrilir. Bu özelliklerden harflerin sayisinda eksiklik veya fazlaliktan dolayi farklilik meydana gelen tâm olmayan cinâs çesidi, cinâs-i nâkis olarak adlandirilir. Cinâs-i nâkisin da kendi içinde ziyade harf veya harflerin bulundugu yere göre çesitleri mevcuttur. Ancak cinâs-i nâkisin söz konusu çesitlerinin isimlendirilmesi hususunda belâgatle ilgili eserlerde bazi tutarsizliklar bulunmaktadir. Çalismamizda cinâs-i nâkisin çesitleri konusunda belâgatle ilgili eserlerde yer alan bu tutarsizliklar ele alinmistir. Söz konusu tutarsizliklar, Sekkâkî’nin Miftâhu’l-Ulûm adli eserinden baslanarak günümüze kadar yazilan belâgate dair tercüme, serh ve telif türündeki eserlerin incelenmesiyle tespit edilmistir. Bu baglamda çalismamiz, giris ve konuyla ilgili tutarsizliklar üzerinde durulan üç ana basliktan meydana gelmektedir. Giris kisminda cinâs-i nâkis sanatinin tarifi yapilarak belâgatle ilgili eserlerde bu sanatla ilgili tutarsizliklarin meydana gelis sekilleri hakkinda bilgi verilmistir. Birinci baslikta cinâs-i nâkis çesitlerinin herhangi bir edebî terimle isimlendirilmedigi veya kismen isimlendirildigi eserler; ikinci baslikta cinâs-i nâkis ve çesitlerinin diger cinâs çesitleriyle karistirildigi eserler; üçüncü baslikta ise cinâs-i nâkis çesitlerinin birbirinden farkli terimlerle adlandirildigi eserler üzerinde durulmustur.
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