Sairin Sincan’i
[ X ]
Tarih
2025
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Abdulhakim TUGLUK
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Abdülkadir Budak’in “Sincan’da Bir Sokagin Balkondan Görünüsü”, “Sincan’da Ölmek”, “Sincan Istasyonu”, “Sincan” ve 2015’te yayimlanan Kapali Bir Açilim adli kitabinda bulunan adsiz bir siirinde Ankara, Sincan’in izleri görülür. Bilindigi üzere sairlerin yasadiklari mekânlarin izdüsümlerini yapitlarinda görmek mümkündür. Örnegin Aleksandr Puskin, Bahçesaray’dan; Attilla Ilhan, Izmir’den; Dante Alighieri, Floransa’dan; Federico Garcia Lorca, Granada’dan; Konstantinos Kavafis, Iskenderiye’den; Necip Fazil Kisakürek, Kahramanmaras’tan, Ülkü Tamer, Gaziantep’ten ayri düsünülemez. Mekânin ruhunun sairin ruhunu etkilemesi dogaldir. Bu bakimdan yazida Abdülkadir Budak’in uzun süre yasadigi, akrabalarinin ve kizinin burada ikamet etmesi nedeniyle iç içe oldugu Sincan’a nasil baktigi; orada neleri gördügü, görmek istemedigi ve buranin siirine nasil yansidigi ortaya konmaya çalisilmistir. Çocuklugunun, ilk gençliginin geçtigi; ilk askini yasadigi, ilk sirini yazdigi; emekli olduktan sonra geri dönüp uzun yillar kaldigi yer olmasi bakimindan Sincan’in sairin siirinde önemli bir yer tutmasi dogaldir. Lale bahçelerinde, istasyonlarinda, demiryolunda, trenlerinde ve sokaklarinda, Budak’in anilari vardir. Mezarliklarinda annesi, babasi, ablasi, erkek ve kiz kardesi yatmaktadir. Sincan ona bir yandan yakin, öte yandan uzak durur. Zor geçen çocukluguna ragmen beyaz badanali evlerinin bahçelerinde lalelerin açtigi Sincan’a sevgi duyarken zaman içerisinde yozlasmis olan Sincan onu üzer. Kopamadigi Ankara, Sincan onun “siir baskenti”tidir. Burada yayinevinde kitaplar çikarmakta, Sincan Istasyonu dergisini yayimlamakta ve siir çevresinde sairliginin tadini çikarmaktadir.
Traces of Ankara and Sincan can be seen in Abdülkadir Budak's “Sincan’da Bir Sokagin Balkondan Görünüsü”, “Sincan’da Ölmek”, “Sincan Istasyonu”, “Sincan” and an unnamed poem in his book titled Kapali Bir Açilim, published in 2015. As it is known, it is possible to see the projections of the places where poets lived in their works. For example, Aleksandr Pushkin from Bahçesaray; Attilla Ilhan, from Izmir; Dante Alighieri from Florence; Federico Garcia Lorca, from Granada; Konstantinos Cavafy, from Alexandria; Necip Fazil Kisakürek cannot be considered separately from Kahramanmaras, Ülkü Tamer from Gaziantep. It is natural that the spirit of the place affects the spirit of the poet. In this regard, the article explains how Abdülkadir Budak viewed Sincan, where he lived for a long time and where his relatives and daughter lived together; It has been tried to reveal what he saw there, what he did not want to see and how this place was reflected in his poetry. He spent his childhood and youth; He experienced his first love and wrote his first poem; It is natural that Sincan has an important place in the poet's poetry, as it is the place where he returned and lived for many years after his retirement. There are memories of Budak in its tulip gardens, stations, railways, trains and streets. His mother, father, older sister, brother and sister lie in their cemeteries. Sincan is close to him on the one hand and far away from him on the other. Despite his difficult childhood, he feels love for Sincan, where tulips bloom in the gardens of their whitewashed houses, but Sincan, which has become corrupt over time, saddens him. Ankara, from which he could not break away, Sincan was his "poetry capital". Here he publishes books in his publishing house, publishes Sincan Station magazine and enjoys his poetry in the poetry circle.
Traces of Ankara and Sincan can be seen in Abdülkadir Budak's “Sincan’da Bir Sokagin Balkondan Görünüsü”, “Sincan’da Ölmek”, “Sincan Istasyonu”, “Sincan” and an unnamed poem in his book titled Kapali Bir Açilim, published in 2015. As it is known, it is possible to see the projections of the places where poets lived in their works. For example, Aleksandr Pushkin from Bahçesaray; Attilla Ilhan, from Izmir; Dante Alighieri from Florence; Federico Garcia Lorca, from Granada; Konstantinos Cavafy, from Alexandria; Necip Fazil Kisakürek cannot be considered separately from Kahramanmaras, Ülkü Tamer from Gaziantep. It is natural that the spirit of the place affects the spirit of the poet. In this regard, the article explains how Abdülkadir Budak viewed Sincan, where he lived for a long time and where his relatives and daughter lived together; It has been tried to reveal what he saw there, what he did not want to see and how this place was reflected in his poetry. He spent his childhood and youth; He experienced his first love and wrote his first poem; It is natural that Sincan has an important place in the poet's poetry, as it is the place where he returned and lived for many years after his retirement. There are memories of Budak in its tulip gardens, stations, railways, trains and streets. His mother, father, older sister, brother and sister lie in their cemeteries. Sincan is close to him on the one hand and far away from him on the other. Despite his difficult childhood, he feels love for Sincan, where tulips bloom in the gardens of their whitewashed houses, but Sincan, which has become corrupt over time, saddens him. Ankara, from which he could not break away, Sincan was his "poetry capital". Here he publishes books in his publishing house, publishes Sincan Station magazine and enjoys his poetry in the poetry circle.
Açıklama
Anahtar Kelimeler
Abdülkadir Budak, mekânin ruhu, Sincan, sair, siir
Kaynak
Edebi Elestiri Dergisi
WoS Q Değeri
Scopus Q Değeri
Cilt
9
Sayı
1
