Cemal Süreya ve Kadin Korkusu
[ X ]
Tarih
2022
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Yusuf ÇETIN
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Kadin, Cemal Süreya’nin siirlerindeki ana temalardan biridir. Bu yazida sairin Güz Bitigi adli kitabina kadarki siirlerinde görünürde kadina askla yaklastigi, gerçekte erkege olumlu nitelikler (üstün güç, sevinç) yüklerken kadina olumsuz nitelikler (kötü güç, tehlike) yükledigi saptanmistir. Bunun temelinde ise “kadin korkusu”nun oldugu ortaya konmustur. Kadin korkusu ilginç bir biçimde “mizojini” olarak kendini gösterir. Cemal Süreya’nin sair duyarligi ile “kadin korkusu”nu asma yolu siir olur. Yazida “mizojini” ve “kadin korkusu” ile ilgili olarak Jack Holland ve Maurice Daumas’nin görüslerinden yararlanilmistir. Siirlerde üstün güç, erkege ait, kötü güç kadina ait bir nitelik olarak ortaya çikar. Ates, disi maddeye sekil veren erkek ilkeyi; kirli ve karanlik su ise kadini isaret eder. Kadin erkegin cinsel arzusunu uyandirdigi için cezbedici oldugu kadar tehlikeli bulunur. Kadin tehlikeyle iliskilendirilirken sevinç erkekle ilgilidir. Kadina basmakalip düsüncelerle yaklasan ve cinsel nesne olarak gören erkek bakis, kadinda insandan önce bedeni görür. Sair, birçok siirinde kadin bedenini haz nesnesine dönüstürür. Bu siirler mizojininin izlerini tasir. Mizojinide erkeklerde cinsel arzu uyandirdiklari için bundan erkekler degil -suçlu olmadiklari halde- ister iyi ister kötü olsunlar kadinlar sorumlu tutulur. Kadin düsmanliginin temelinde ise kadin korkusu vardir. Mizojiniyi askla ve siirle asmaya çalisan sair, “Üvercinka” adli siirde portresi görülen aydin, siiri bilen, cesur, çekici kadini hayal eder; ancak bu kadini içsellestirmesi zaman alir. Cemal Süreya, yasamindaki incinmelerden kaynaklanan mizojinik izleri Güz Bitigi adli siir kitabinda siler.
Woman is one of the main themes in Cemal Süreya's poems. In this article, it was determined that the poet apparently approached women with love in his poems up to his book titled Güz Bitigi, and in reality, he attributed positive qualities (superior power, joy) to men, while attributing negative qualities (bad power, danger) to women. It has been revealed that the basis of this is the “fear of women”. Fear of women interestingly manifests itself as "misogyny". With Cemal Süreya's poetic sensitivity, the way to overcome his "fear of women" is poetry. In the article, the views of Jack Holland and Maurice Daumas on "misogyny" and "fear of women" were used. In poems, superior power appears as a masculine quality, and bad power as a feminine trait. Fire is the male principle that shapes the female matter; Dirty and dark water indicates woman. A woman is found to be as dangerous as it is tempting because it arouses the man's sexual desire. Joy is associated with men, while women are associated with danger. The male gaze, who approaches women with stereotypical thoughts and sees them as a sexual object, sees the body before the human in women. The poet transforms the female body into an object of pleasure in many of his poems. These poems carry traces of misogyny. Since they arouse sexual desire in men in misogyny, women are held responsible for this, whether they are good or bad, although they are not guilty. Fear of women is at the root of misogyny. Trying to overcome misogyny with love and poetry, the poet dreams of an intellectual, a brave, attractive woman whose portrait is seen in the poem "Üvercinka"; but it takes time to internalize this woman. Cemal Süreya erases the misogynistic traces caused by the injuries in his life in his poetry book called Güz Bitigi.
Woman is one of the main themes in Cemal Süreya's poems. In this article, it was determined that the poet apparently approached women with love in his poems up to his book titled Güz Bitigi, and in reality, he attributed positive qualities (superior power, joy) to men, while attributing negative qualities (bad power, danger) to women. It has been revealed that the basis of this is the “fear of women”. Fear of women interestingly manifests itself as "misogyny". With Cemal Süreya's poetic sensitivity, the way to overcome his "fear of women" is poetry. In the article, the views of Jack Holland and Maurice Daumas on "misogyny" and "fear of women" were used. In poems, superior power appears as a masculine quality, and bad power as a feminine trait. Fire is the male principle that shapes the female matter; Dirty and dark water indicates woman. A woman is found to be as dangerous as it is tempting because it arouses the man's sexual desire. Joy is associated with men, while women are associated with danger. The male gaze, who approaches women with stereotypical thoughts and sees them as a sexual object, sees the body before the human in women. The poet transforms the female body into an object of pleasure in many of his poems. These poems carry traces of misogyny. Since they arouse sexual desire in men in misogyny, women are held responsible for this, whether they are good or bad, although they are not guilty. Fear of women is at the root of misogyny. Trying to overcome misogyny with love and poetry, the poet dreams of an intellectual, a brave, attractive woman whose portrait is seen in the poem "Üvercinka"; but it takes time to internalize this woman. Cemal Süreya erases the misogynistic traces caused by the injuries in his life in his poetry book called Güz Bitigi.
Açıklama
Anahtar Kelimeler
ask, Cemal Süreya, kadin, mizojini
Kaynak
Söylem Filoloji Dergisi
WoS Q Değeri
Scopus Q Değeri
Cilt
7
Sayı
3
