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    FAKIR BAYKURT’UN ROMANLARINDA ALEVI ve SÜNNI ÇATISMA MA SI ALEVI SUNNI HARMONY IN THE NOVELS OF FAKIR BAYKURT
    (Asos Egitim Bilisim Danismanlik San. Tic. Ltd. Sti., 2017) Karabela Sermet, Sevim
    Fakir Baykurt 1950 sonrasinda yazdigi romanlari, öyküleri, siirleri denemeleri, çocuk kitaplari, halk masallari, degerlendirme yazilari ile dikkati çeker. Köy romani ile 1950'lerden 1970'lerin sonlarina kadar Türk edebiyatinin en popüler ismi olarak kalmayi basaran Fakir Baykurt'un eserlerinin temel amaci; köyün ve köylülerin yasamini belgeye dönüstürmektir. Köy ve köylü yasamini romaninin temel konusu yapan Fakir Baykurt, Alevilerin kültür zenginligini ön plana çikaran romanlar da yazmistir. Kaplumbagalar ve Yarim Ekmek romanlarinda, Aleviler ve Alevilik romanin dokusunda önemli bir yer tutar. Fakir Baykurt’un özellikle Kaplumbagalar romaninda Alevi topluluguna ait degerler önemli ölçüde romana girer. Yarim Ekmek’te ise bir kadinin- Kezik Acar’in- yasam öyküsü etrafinda Alevi dünyasi romana malzeme olur.
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    The Image of the Ottoman Empire in the Memoirs of Baron Wenceslas Wratislaw: A Cultural and Diplomatic Perspective
    (Mdpi, 2026) Karabela Sermet, Sevim; Deniz, Onder
    The memoirs of Baron Wenceslas Wratislaw are among the most significant Western sources portraying the Ottoman Empire in the late 16th century. Sent on a diplomatic mission and later taken captive, Wratislaw offers a dual image of the Empire: as a powerful, well-organised state and as a despotic regime evoking fear. His account reveals two contrasting perceptions of the Ottoman court and administration. While their rigid authoritarianism challenged Western admiration for Ottoman governance, it also reinforced existing notions of Oriental despotism. The shifting diplomatic conduct and hostile treatment of the Bohemian delegation further shaped the Ottomans as unreliable and deceptive in Western eyes. Culturally, Wratislaw presents the Ottomans as the other civilization, highlighting differences in religion, lifestyle, and social structure. Yet he also acknowledges their hospitality, generosity, and religious tolerance. This study examines how Wratislaw's personal experiences reflect broader Western imaginations of the Ottoman world. It argues that cultural and diplomatic encounters shaped a complex and often ambivalent image, influenced by both structural dynamics and individual perspectives. Positioned at the intersection of historical sociology and imagology, the article contributes to the understanding of cross-cultural perception in early modern diplomacy.