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    Missing Bodies, Silent Pages: How Turkish Media Portrays Journalist Murders and Silence
    (Cogitatio Press, 2025) Deniz, Onder; Imamoglu, Huseyin Vehbi; Topsakal, Taybe
    Press freedom in Turkey has frequently been questioned throughout its history. Acts of violence against journalists have become a critical issue sometimes resulting in fatalities. This study examines how murders of journalists in Turkey are represented in the media. It focuses on whose stories of the murdered journalists are neglected and whose are brought to the forefront. By addressing the representation of these deaths, the research questions the role of both traditional and digital media in shaping public perception. It investigates how long death-related news remains in the public spotlight and whether commemorations on death anniversaries receive coverage. Numerical differences regarding deaths between new media and traditional media outlets have also been examined. Additionally, the study explores the social and political contexts that contribute to the silences, omissions, and gaps in the narratives surrounding murdered journalists. Through these findings, the study aims to reveal how these stories contribute to the construction and erasure of memory in the media landscape.
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    The Image of the Ottoman Empire in the Memoirs of Baron Wenceslas Wratislaw: A Cultural and Diplomatic Perspective
    (Mdpi, 2026) Karabela Sermet, Sevim; Deniz, Onder
    The memoirs of Baron Wenceslas Wratislaw are among the most significant Western sources portraying the Ottoman Empire in the late 16th century. Sent on a diplomatic mission and later taken captive, Wratislaw offers a dual image of the Empire: as a powerful, well-organised state and as a despotic regime evoking fear. His account reveals two contrasting perceptions of the Ottoman court and administration. While their rigid authoritarianism challenged Western admiration for Ottoman governance, it also reinforced existing notions of Oriental despotism. The shifting diplomatic conduct and hostile treatment of the Bohemian delegation further shaped the Ottomans as unreliable and deceptive in Western eyes. Culturally, Wratislaw presents the Ottomans as the other civilization, highlighting differences in religion, lifestyle, and social structure. Yet he also acknowledges their hospitality, generosity, and religious tolerance. This study examines how Wratislaw's personal experiences reflect broader Western imaginations of the Ottoman world. It argues that cultural and diplomatic encounters shaped a complex and often ambivalent image, influenced by both structural dynamics and individual perspectives. Positioned at the intersection of historical sociology and imagology, the article contributes to the understanding of cross-cultural perception in early modern diplomacy.